The violinist stood on a makeshift stage between two lampposts crowned with a patina of bird droppings, under a weathered vinyl canopy hastily erected outside Newark Liberty International Airport in the taxicab holding area. The audience watched him in awe, about 50 drivers in three rows, their yellow cabs a few feet behind, some lined up neatly, others askew.
A patina of bird droppings; love that.
“It was so pleasing to see people dancing — that never happens,” said Mr. Quint, 34, a Grammy-nominated classical violinist. “These people, they work so hard, I doubt they get a chance to get out to Carnegie Hall or Lincoln Center.”
Dancing in the aisles? When I've been at the opera, especially Rossini, wherein the music really gets the spirit moving, no one moves. I tap my fingers, subtle.
So Mr. Quint took Carnegie Hall to them, in a miniconcert that was his way of expressing a simple sentiment: Thank you. On April 21, Mr. Quint accidentally left a Stradivarius violin, valued at $4 million, in the back seat of a cab that he took from the airport to Manhattan on his return from a performance in Dallas. After several frantic hours, the Newark police told him the violin had been found and was at the airport taxi stand with the cabdriver who had taken him home. The two connected, and the violin was returned.
Valuable fiddle, eh?
“Anybody out here would have done the same thing,” said the driver, Mohammed Khalil, waving a hand at his laughing, dancing colleagues.
Anybody out here, meaning other drivers.
Clad in black, with his dark hair falling over his closed eyes, Mr. Quint dazzled the crowd with a theme from the movie “The Red Violin”; Gershwin’s “It Ain’t Necessarily So”; a Paganini Variation; and the Meditation from Massenet’s opera “Thaïs.” Joined by his friend Michael Bacon, a guitarist (and the brother of the actor Kevin Bacon), Mr. Quint played a piece they had composed, “Seduction Blues.”
Ozier Muhammad/The New York Times